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:::ÇöÀçÀ§Ä¡ HOME ¢º 28.¿Àµð¿À¹Í¼­,ÀÌÆåÅÍ ¢º Behringer(º£¸µ°Å) ¢º UB-1204FX-PRO ÀÌÆåÅͳ»ÀåÇü
    
 
 
UB-1204FX-PRO ÀÌÆåÅͳ»ÀåÇü
ÆǸŰ¡°Ý :  ¿ø
ÁÖ¹®¼ö·® :
°³
Á¦Á¶»ç : BEHRINGER
ºê·£µå : 03
ÇÕ°è±Ý¾× :  ¿ø
  ¢¹ °£´ÜÇÑ ¼³¸í
  º£¸µ°Å Model : UB-1204FX-PRO/¿ïÆ®¶ó LOW-NoiseµðÀÚÀÎ/12ÀÔ·Â 2/2 BUS MIC/24BIT Multi-FX Processor³»Àå  
                         
 
 

Model : UB-1204FX-PRO(º£¸µ°Å)

¿ïÆ®¶ó LOW-NoiseµðÀÚÀÎ/12ÀÔ·Â 2/2 BUS MIC/24BIT Multi-FX Processor³»Àå

 
  Ultra Low-Noise Design 12-Input 2/2-Bus Mic/Line Mixer with Premium IMP Mic Preamplifiers and 24-Bit Multi-FX Processor
 
Essentially an expanded version of the UB1204-PRO. It has all the same features as found in the UB1204-PRO, plus an integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets. There are also solo and PFL functions on all channels as well as a pre/post fader switchable aux send for monitoring/FX applications
Invisible Mic Preamp (IMP)
 
Five years in the making, the Invisible Mic Preamp (IMP) is a superior mic preamp that delivers crystal-clear audio with incredible reproduction of the slightest nuances. It matches or exceeds the
 
performance of outboard mic preamps. You get extreme bandwidth of 5 Hz to 100 kHz coupled to unusually neutral, noise- and distortion-free circuitry.



The BEHRINGER IMP provides ultra-linear frequency response up to 100 kHz.
 
 

The result of perfect design. Almost unmeasurable distortion for your signal integrity.
24 bit/ 46 kHz
 
Digital recordings are often done at a depth of 16 bits, which breaks up the dynamic range between the loudest and quietest portions of a signal into 65,536 steps. We use the finer resolution of 24 bits, which divides the signals¡¯ loudest-to-softest dynamic range into 16,777,216 steps, allowing for far more accurate rendering of the quieter parts of the audio.

Audio signals change constantly, so a digital device must capture these
 
changes as faithfully as possible. The higher the sampling rate, the better. Our consoles use a sampling rate of 46,000 times per second. To capture any given frequency, a digital signal¡¯s sampling rate must be roughly twice that frequency. The sampling rate of 46 kHz is more than adequate for capturing all signals in the audible range—the human ear can not hear the sounds whose frequency is higher than 20 kHz.

Ultra low-noise (ULN)
 
ULN stands for the Ultra low-noise design of our circuitry. It is based on extremely low-impedance components that keep thermal inherent noise and crosstalk at an
 
absolute minimum. The result: your console is considerably less noisy and crosstalk between neighboring channels is virtually non-existent.


OP Amp NJM 4580


The result of perfect design. Almost unmeasurable distortion for your signal integrity.
 
 
Switch-mode power supply (SMPS)
 
Every console in the PRO series uses our state-of-the-art, over-sized, switch-mode power supply with lots of headroom. One of the great advantages is that (compared to conventional circuits) a switch-mode power supply adapts to mains voltages between 100 and 240 volts automatically. Furthermore, due to its much greater efficiency,
 
it consumes much less energy than a conventional supply unit. Even more important is the fact that conventional transformers always induce 50 Hz hum (check it out on other mixers when you turn up all volume controls). Our switch-mode supply operates at very high frequency and therefore keeps the mixer dead quiet.

 

 
 
 
 
1. ·Ôµ¥ÅÃ¹è ¶Ç´Â °í°´ ¿äûÅùè·Î Àü±¹ ¾î´À °÷À̵ç 3~4ÀÏ À̳» ¹è¼ÛÀÌ °¡´ÉÇÕ´Ï´Ù. (°øÈÞÀÏ Á¦¿Ü)

2. ¿Â¶óÀÎ ¼Û±ÝÀ» ÇϽŠ°æ¿ì¿¡´Â ÀÔ±ÝÈ®ÀÎÈÄ ÀÍÀϺÎÅÍ ¹è¼Û ±â°£¿¡ Æ÷ÇÔÇÕ´Ï´Ù.

3. õÀçÁöº¯ µî ºÒ°¡Ç×·ÂÀûÀÎ »çÀ¯ ¹ß»ý ½Ã ±× ÇØ´ç±â°£ µ¿¾ÈÀº ¹è¼Û±â°£¿¡¼­ Á¦¿ÜÇÕ´Ï´Ù.

4. ÁÖ¹®ÇϽŠ»óÇ°ÀÌ ÈÑ¼ÕµÇ¾î ¹è´ÞµÈ °æ¿ì, »óÇ°À» ¼ö·ÉÇÑ ³¯·ÎºÎÅÍ 20Àϳ»¿¡ ±¸¸Å¸¦ Ãë¼ÒÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

5. °í°´²²¼­ ¿Â¶óÀÎ ¼Û±ÝÀ¸·Î °áÁ¦ÇϼÌÀ» °æ¿ì °í°´ÀÇ ÀºÇà°èÁ·Π¼Û±ÝÇÏ´Â ¹æ¹ýÀ¸·Î ȯºÒÇÏ¿© µå¸³´Ï´Ù.

6. ÁÖ¹®ÇϽŠ»óÇ°ÀÌ ¹°·ù Ư¼º»ó ´Ù¸¥ ½Ã°£´ë¿¡ ¹è¼ÛÀÌ µÉ¼öµµ ÀÖ½À´Ï´Ù.
 
 
 
 
1.Á¦Ç°¼³¸í¼­(º¸Áõ¼­)¿¡ ¸í±âµÈ Á¦Á¶ ȸ»ç °í°´¼¾ÅÍ(A/S¼¾ÅÍ)³ª Á¦Ç° ±¸ÀÔó¿¡ ¹®ÀÇ ¹Ù¶ø´Ï´Ù.
 
 
1.Á¦Ç°¿¡ ÇÏÀÚ°¡ ÀÖÀ» °æ¿ì : Á¦Ç° ¼ö·É ÈÄ 7ÀÏ À̳»¿¡ ±³È¯,¹ÝÇ°ÀÌ °¡´ÉÇÕ´Ï´Ù.

2.Á¦Ç°¿¡ ÇÏÀÚ°¡ ¾øÀ» °æ¿ì : Á¦Ç° ÈÑ¼Õ ¹× »ç¿ëÀ» ¾ÈÇÒ°æ¿ì 7ÀÏ À̳»¿¡ ±³È¯, ¹ÝÇ°ÀÌ °¡´ÉÇÕ´Ï´Ù.
´Ü, ¿Õº¹ ¹è¼Ûºñ´Â ±¸¸ÅÀÚ°¡ ºÎ´ãÇÕ´Ï´Ù.

3. ȯºÒÀº Á¦Ç°¹ÝÇ°ÀÌ È®ÀÎ µÈ ÈÄ¿¡ ó¸® µË´Ï´Ù.
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