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:::ÇöÀçÀ§Ä¡ HOME ¢º 28.¿Àµð¿À¹Í¼­,ÀÌÆåÅÍ ¢º Behringer(º£¸µ°Å) ¢º DSP-1124P, Çǵå¹é,ÄÄÇÁ·¹¼Å,EQ±â´É
    
 
 
DSP-1124P, Çǵå¹é,ÄÄÇÁ·¹¼Å,EQ±â´É
ÆǸŰ¡°Ý :  ¿ø
ÁÖ¹®¼ö·® :
°³
Á¦Á¶»ç : BEHRINGER
ÇÕ°è±Ý¾× :  ¿ø
  ¢¹ °£´ÜÇÑ ¼³¸í
  DSP-1124P, º£¸µ°Å Çǵå¹é, 12¹êµå µà¾ó ÆĶó¸ÞÆ®¸¯ ÀÌÄ÷¶óÀÌÁ®±â´É°ú ÄÄÇÁ·¹¼Å ±â´ÉÀÌ ³»ÀåµÈ Á¦Ç°ÀÔ´Ï´Ù.  
                         
 

 

DSP-1124P

 

Feedback Destroyer Pro

 
 

* Á¦Ç°ÀÇ Æ¯Â¡
 
24-bit A/D-D/A º¯È¯ ÀåÄ¡¸¦ ÀåºñÇÑ DSP1124P´Â Çǵå¹é ÁÖÆļö¸¦ Àçºü¸£°Ô Ä³Ä¡ÇØ ³ëÄ¡ÇÊÅ͸¦ ¸Å¿ì Á¼È÷´Â °ÍÀ¸·Î ÀÌ Çǵå¹éÀ»¡¸µð½ºÆ®·ÎÀ̾ÇÕ´Ï´Ù. ÀÌ ¶§ »ç¿îµå ½Ã±×³ÎÀº ÀüÇô °£¼·µÇÁö ¾Ê½À´Ï´Ù. ÀÌ ÇÑ´ë¿¡ Å¾ÀçµÈ ´Ù¾çÇÑ ¸ðµå¸¦ Àß ´Ù·ç¸é, ¶óÀ̺ê·ÎÀÇ ¾î¶°ÇÑ »ç¿îµå »óȲ¿¡µµ ´ëÀÀÇÒ ¼ö ÀÖ½À´Ï´Ù. 24¹êµåÀÇ Ç® ÆĶó¸ÞÆ®¸¯ EQ·Î¼­ »ç¿ëÇϸ頺¸´Ù Ã¢Á¶Àû »ç¿îµå½¦ÀÌÇεµ ½Ç½ÃÇÒ ¼ö ÀÖ½À´Ï´Ù.



¡Ü 2ä³Î Çǵå¹é ÄÄÇÁ·¹¼Å È¤Àº 2x12¹êµå ÆĶó¸ÞÆ®¸¯ EQ·Î »ç¿ë °¡´É 
 
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¡Ü °¢°¢ ¼±Åà°¡´ÉÇÑ 3°³ÀÇ ÇÊÅÍ ¸ðµå 
 
¡Ü ½Ì±Û ¼îÆ® ¸ðµå´Â Çǵå¹é ÁÖÆļö¸¦ ÀÚµ¿ÀûÀ¸·Î °ËÁö¡¤¾ïÁ¦ÇØ, ¼öµ¿ ¸®¼¼Æ® µÉ ¶§±îÁö ÇÊÅ͸¦ ¶ô 
 
¡Ü ÀÚµ¿ ¸ðµå´Â °è¼ÓÀûÀ¸·Î ¹Í½º¸¦ ¸ð´ÏÅÍ, ¿ä±¸¿¡ µû¶ó ÀÚµ¿ÀûÀ¸·Î ÇÊÅ͸¦ ¸®¼¼Æ® 
 
¡Ü ¼öµ¿ ¸ðµå´Â ÁÖÆļö, ¹êµå ¿ÍÀÌÁî ¹× °ÔÀΠÁ¶Á¤ÀÌ ºÙÀº 2x12 Ç® ÆĶó¸ÞÆ®¸¯ ÇÊÅÍÀÇ µ¶¸³ ¼³Á¤ÀÌ °¡´É 
 
¡Ü ±¤¹üÀ§ÇÑ MIDI ÀÎÇø®¸ÇÆ®
 
 
 
* FEATURES
 
 
- Usable as a 2-channel feedback suppressor or 2 x 12-band parametric equalizer
 
- Two software engines allow independent or coupled functions on left and right channels
 
- Three filter modes, selectable per filter
 
- Single-Shot mode automatically searches and attenuates feedback frequencies and locks the filter until manually reset
 
- Auto mode continuously monitors the mix, resetting filters automatically as required
 
- Manual mode allows individual setting of up to 2 x 12 fully parametric filters with frequency, bandwidth and gain adjustment
 
- Extensive MIDI implementation
 
 
 
The DSP1124P locates feedback frequencies immediately and sets extremely narrow notch filters to ¡°destroy¡± them, leaving the remainder of the signal virtually untouched. With its various modes you can master just about any live sound situation or use it as a creative sound-shaping tool with 24 bands of fully parametric equalization. Now with 24-bit A/D and D/A converters.
 
 
1. ·Ôµ¥ÅÃ¹è ¶Ç´Â °í°´ ¿äûÅùè·Î Àü±¹ ¾î´À °÷À̵ç 3~4ÀÏ À̳» ¹è¼ÛÀÌ °¡´ÉÇÕ´Ï´Ù. (°øÈÞÀÏ Á¦¿Ü)

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5. °í°´²²¼­ ¿Â¶óÀÎ ¼Û±ÝÀ¸·Î °áÁ¦ÇϼÌÀ» °æ¿ì °í°´ÀÇ ÀºÇà°èÁ·Π¼Û±ÝÇÏ´Â ¹æ¹ýÀ¸·Î ȯºÒÇÏ¿© µå¸³´Ï´Ù.

6. ÁÖ¹®ÇϽŠ»óÇ°ÀÌ ¹°·ù Ư¼º»ó ´Ù¸¥ ½Ã°£´ë¿¡ ¹è¼ÛÀÌ µÉ¼öµµ ÀÖ½À´Ï´Ù.
 
 
 
 
1.Á¦Ç°¼³¸í¼­(º¸Áõ¼­)¿¡ ¸í±âµÈ Á¦Á¶ ȸ»ç °í°´¼¾ÅÍ(A/S¼¾ÅÍ)³ª Á¦Ç° ±¸ÀÔó¿¡ ¹®ÀÇ ¹Ù¶ø´Ï´Ù.
 
 
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